In the Summer of 1980 a successful yuppie faces an existential crisis when a Nosferatic ghoul joins his social circle and undermines his social status
It’s the 1980s. Yuppies are on the rise. And, so, with said rise, comes all the tenets you’d expect—the house parties, the sweaters tied over the shoulders, the high-balls and fancy cigars. Writer/director Nathaniel Lindsay explores such tropes with his clever satire/creature short, Green Eyed—a tongue-in-cheek exploration of yuppie, one-upmanship culture that just happens to feature a Nosferatic ghoul at the heart of its plot. Yup, you read that right. Amidst all the white, upper middle class bourgeois fraternizing, Lindsay introduces a bit of the fantastical.
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In the Summer of 1980 a successful yuppie faces an existential crisis when a Nosferatic ghoul joins his social circle and undermines his social status
It’s the 1980s. Yuppies are on the rise. And, so, with said rise, comes all the tenets you’d expect—the house parties, the sweaters tied over the shoulders, the high-balls and fancy cigars. Writer/director Nathaniel Lindsay explores such tropes with his clever satire/creature short, Green Eyed—a tongue-in-cheek exploration of yuppie, one-upmanship culture that just happens to feature a Nosferatic ghoul at the heart of its plot. Yup, you read that right. Amidst all the white, upper middle class bourgeois fraternizing, Lindsay introduces a bit of the fantastical.
No items found.
No items found.
Previous Article
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In the Summer of 1980 a successful yuppie faces an existential crisis when a Nosferatic ghoul joins his social circle and undermines his social status
It’s the 1980s. Yuppies are on the rise. And, so, with said rise, comes all the tenets you’d expect—the house parties, the sweaters tied over the shoulders, the high-balls and fancy cigars. Writer/director Nathaniel Lindsay explores such tropes with his clever satire/creature short, Green Eyed—a tongue-in-cheek exploration of yuppie, one-upmanship culture that just happens to feature a Nosferatic ghoul at the heart of its plot. Yup, you read that right. Amidst all the white, upper middle class bourgeois fraternizing, Lindsay introduces a bit of the fantastical.
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