An anxiety ridden existential melodrama about a woman stuck at a red light for what feels like a lifetime
We’ve all felt “stuck” in life, so what better way to show this existential panic than by literally having a woman parked at a red light for an ostensible eternity. Red Light is essentially a one woman show effortlessly transitions from one fictional life event to the next.
But, Red Light is more than just a showpiece for a talented performer. The film straddles both comedy and drama. While there is an inherent ridiculousness (and surrealism) to a stoplight that won’t ever seem to change and Tulock’s impressions and lines, at times, are clearly comedic, the film is full of an underlying feeling of sadness—this wistful notion that a fulfilled life is slowly drifting away from one’s grasp, having settled for the most boring, predictable path possible.
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An anxiety ridden existential melodrama about a woman stuck at a red light for what feels like a lifetime
We’ve all felt “stuck” in life, so what better way to show this existential panic than by literally having a woman parked at a red light for an ostensible eternity. Red Light is essentially a one woman show effortlessly transitions from one fictional life event to the next.
But, Red Light is more than just a showpiece for a talented performer. The film straddles both comedy and drama. While there is an inherent ridiculousness (and surrealism) to a stoplight that won’t ever seem to change and Tulock’s impressions and lines, at times, are clearly comedic, the film is full of an underlying feeling of sadness—this wistful notion that a fulfilled life is slowly drifting away from one’s grasp, having settled for the most boring, predictable path possible.
No items found.
No items found.
Previous Article
Next Article
An anxiety ridden existential melodrama about a woman stuck at a red light for what feels like a lifetime
We’ve all felt “stuck” in life, so what better way to show this existential panic than by literally having a woman parked at a red light for an ostensible eternity. Red Light is essentially a one woman show effortlessly transitions from one fictional life event to the next.
But, Red Light is more than just a showpiece for a talented performer. The film straddles both comedy and drama. While there is an inherent ridiculousness (and surrealism) to a stoplight that won’t ever seem to change and Tulock’s impressions and lines, at times, are clearly comedic, the film is full of an underlying feeling of sadness—this wistful notion that a fulfilled life is slowly drifting away from one’s grasp, having settled for the most boring, predictable path possible.
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