By day, she visits morgues, observes autopsies, and studies pictures of crime scenes. By night, she turns nightmarish imaginings into precise, red-splattered miniatures
Kevin Staake’s 10-minute doc Dieorama invites us to spend a brief moment in her world and take a closer look at her tiny blood-splattered creations.
Inspired to create Dieorama after his brother Ryan (director of that notorious Young Thug Music Video) purchased a piece of Abigail’s art at a gallery in NYC, Staake knew a documentary about her unusual craft would be a “slam dunk” after he heard about her backstory. Admitting to be “shocked and confused but madly intrigued” by the piece (which showed a pristine suburban yard, but with someone being cut in half with a lawn mower at its centre), the director set out to create a film which explores the connection between his subject’s day job, as an investigator for a public defender’s office in Washington state, and her passion for creating death-themed miniatures.
Technically, Dieorama is a solid piece. The tilt shift shots, though a little cliche, feel perfectly placed in context with the film’s subject and those extreme close-ups really make you feel immersed in Goldman’s artwork. So what makes this short stand-out from the hundreds of other portrait docs regularly released online? Simple, it’s all about the story! With this film, Staake has created a relatable and entertaining piece which appeals to our fascination with death. It’s not often you watch such a morbid piece and walk away charmed, but that’s exactly what happens here. For once a film about death didn’t make me want to curl-up in a ball and ignore the inevitable and for that I thank you Kevin.
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By day, she visits morgues, observes autopsies, and studies pictures of crime scenes. By night, she turns nightmarish imaginings into precise, red-splattered miniatures
Kevin Staake’s 10-minute doc Dieorama invites us to spend a brief moment in her world and take a closer look at her tiny blood-splattered creations.
Inspired to create Dieorama after his brother Ryan (director of that notorious Young Thug Music Video) purchased a piece of Abigail’s art at a gallery in NYC, Staake knew a documentary about her unusual craft would be a “slam dunk” after he heard about her backstory. Admitting to be “shocked and confused but madly intrigued” by the piece (which showed a pristine suburban yard, but with someone being cut in half with a lawn mower at its centre), the director set out to create a film which explores the connection between his subject’s day job, as an investigator for a public defender’s office in Washington state, and her passion for creating death-themed miniatures.
Technically, Dieorama is a solid piece. The tilt shift shots, though a little cliche, feel perfectly placed in context with the film’s subject and those extreme close-ups really make you feel immersed in Goldman’s artwork. So what makes this short stand-out from the hundreds of other portrait docs regularly released online? Simple, it’s all about the story! With this film, Staake has created a relatable and entertaining piece which appeals to our fascination with death. It’s not often you watch such a morbid piece and walk away charmed, but that’s exactly what happens here. For once a film about death didn’t make me want to curl-up in a ball and ignore the inevitable and for that I thank you Kevin.
No items found.
No items found.
Previous Article
Next Article
By day, she visits morgues, observes autopsies, and studies pictures of crime scenes. By night, she turns nightmarish imaginings into precise, red-splattered miniatures
Kevin Staake’s 10-minute doc Dieorama invites us to spend a brief moment in her world and take a closer look at her tiny blood-splattered creations.
Inspired to create Dieorama after his brother Ryan (director of that notorious Young Thug Music Video) purchased a piece of Abigail’s art at a gallery in NYC, Staake knew a documentary about her unusual craft would be a “slam dunk” after he heard about her backstory. Admitting to be “shocked and confused but madly intrigued” by the piece (which showed a pristine suburban yard, but with someone being cut in half with a lawn mower at its centre), the director set out to create a film which explores the connection between his subject’s day job, as an investigator for a public defender’s office in Washington state, and her passion for creating death-themed miniatures.
Technically, Dieorama is a solid piece. The tilt shift shots, though a little cliche, feel perfectly placed in context with the film’s subject and those extreme close-ups really make you feel immersed in Goldman’s artwork. So what makes this short stand-out from the hundreds of other portrait docs regularly released online? Simple, it’s all about the story! With this film, Staake has created a relatable and entertaining piece which appeals to our fascination with death. It’s not often you watch such a morbid piece and walk away charmed, but that’s exactly what happens here. For once a film about death didn’t make me want to curl-up in a ball and ignore the inevitable and for that I thank you Kevin.
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