A beautiful pixilation short imagining a world controlled by light, and a young man determined to find his own agency within it
"Argentinian director Juan Pablo Zaramella has been making short films for a decade, but while he started as a stop-motion animator of objects (see a charming one utilizing food), this, his most impressive recent film, is an interesting “live action” stop-motion, in which real actors are animated frame by frame.
This form of animation, called pixilation, while not requiring the creation of models, is likewise painstakingly slow, since each frame must be composed and shot separately. It seems especially difficult since live actors can not be expected to hold their positions the way inanimate models can.
Luminaris is the story of a man living in a world controlled by light. Each morning, the inhabitants of that world are woken up and pulled to their jobs by the sunlight, as if by a magnetic force. Our protagonist works in a factory making electric light bulbs, but has larger ambitions of his own. The setting of the film is a classic Buenos Aires, revisited from a fantastic point of view.
The film uses a collage of styles, combining art deco, tango, surrealism, and neorealism. This mix of influences is directly linked with the history of Buenos Aires: the city and its population themselves are a mix of different cultures. The film was inspired by an instrumental tango piece called “Lluvia de Estrellas” (Star Rain) composed by Osmar Maderna in the 1940s.
No items found.
No items found.
Previous Article
Next Article
A beautiful pixilation short imagining a world controlled by light, and a young man determined to find his own agency within it
"Argentinian director Juan Pablo Zaramella has been making short films for a decade, but while he started as a stop-motion animator of objects (see a charming one utilizing food), this, his most impressive recent film, is an interesting “live action” stop-motion, in which real actors are animated frame by frame.
This form of animation, called pixilation, while not requiring the creation of models, is likewise painstakingly slow, since each frame must be composed and shot separately. It seems especially difficult since live actors can not be expected to hold their positions the way inanimate models can.
Luminaris is the story of a man living in a world controlled by light. Each morning, the inhabitants of that world are woken up and pulled to their jobs by the sunlight, as if by a magnetic force. Our protagonist works in a factory making electric light bulbs, but has larger ambitions of his own. The setting of the film is a classic Buenos Aires, revisited from a fantastic point of view.
The film uses a collage of styles, combining art deco, tango, surrealism, and neorealism. This mix of influences is directly linked with the history of Buenos Aires: the city and its population themselves are a mix of different cultures. The film was inspired by an instrumental tango piece called “Lluvia de Estrellas” (Star Rain) composed by Osmar Maderna in the 1940s.
No items found.
No items found.
Previous Article
Next Article
A beautiful pixilation short imagining a world controlled by light, and a young man determined to find his own agency within it
"Argentinian director Juan Pablo Zaramella has been making short films for a decade, but while he started as a stop-motion animator of objects (see a charming one utilizing food), this, his most impressive recent film, is an interesting “live action” stop-motion, in which real actors are animated frame by frame.
This form of animation, called pixilation, while not requiring the creation of models, is likewise painstakingly slow, since each frame must be composed and shot separately. It seems especially difficult since live actors can not be expected to hold their positions the way inanimate models can.
Luminaris is the story of a man living in a world controlled by light. Each morning, the inhabitants of that world are woken up and pulled to their jobs by the sunlight, as if by a magnetic force. Our protagonist works in a factory making electric light bulbs, but has larger ambitions of his own. The setting of the film is a classic Buenos Aires, revisited from a fantastic point of view.
The film uses a collage of styles, combining art deco, tango, surrealism, and neorealism. This mix of influences is directly linked with the history of Buenos Aires: the city and its population themselves are a mix of different cultures. The film was inspired by an instrumental tango piece called “Lluvia de Estrellas” (Star Rain) composed by Osmar Maderna in the 1940s.